Stanton Welch’s Play and 9 Sinatra Songs

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 0 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”true” fade_animation=”in-from-left” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_video_embed no_container=”true” type=”16:9″ class=”aspect_2_4_1″][/x_video_embed][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 0 0px;”][cs_row inner_container=”true” marginless_columns=”true” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in-from-bottom” fade_animation_offset=”45px” fade_duration=”900″ type=”1/1″ style=”padding: 0px;”][cs_text]Wrote a post about Play and Nine Sinatra Songs here. [/cs_text][/cs_column][/cs_row][/cs_section][/cs_content]

Romeo & Juliet by Oklahoma City Ballet

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Romeo and Juliet Ballet Edit from Elvis Ripley on Vimeo.

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OKC Ballet wanted to do a different style of commercial for their Spring 2015 season. Moving to some short pieces that were more about the feel of the ballets than the strict story or classical telling. Using the feeling of romance and shot as a dream in Juliet’s mind as she first see’s Romeo from the balcony before deciding to join him.

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This was shot 6K at 96 fps or 5K at 120 fps green screen to help with the dream feel of the piece. 

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The Vault

YouTube link and a Vimeo link

The Vault was made for the Shot on Red film festival. It was a good oportunity to try out some visual effects and try some other techniques in the process. I really wanted to try some extreme lens flares.

Step 1

So I did the edit and picked out the take I wanted to use.

Step 2

I did the lightning gun effect. Still pretty normal.

Step 3

To get the right look in the lens I projected the lightning effect into the Red using the same lens I had used during the shoot. This way the lens flares would be similar to what might happen if any of this was actually real. I then got the same flashes and pops, optically captured, just like the on set lighting.

Step 4

Combined the layers and did the color grade. Since the flares and effects were already synced it was just a matter of compositing them all together and adjusting the intensity of each layer.

Here is a great description of how they used the same technique of optical capture of lens VFX lens flare for Gravity.

And if you are curious why my lens would flare so much it is becasue it is “the worst lens Nikon has ever made” which made it so awesome.

Gunboat Park Surplus and Militaria – Commercial